12/14/2023 0 Comments Garamond humanist typeface![]() Garamond was one figure among many at a time when new typefaces were rapidly produced in sixteenth-century France, and these type designers operated within a pre-existing tradition defined by the work of figures such as Aldus Manutius who were active over the preceding half-century. Īlthough Garamond himself remains an eminent figure in French printing of the sixteenth century, historical research over the last century has increasingly placed his work in context. While his italics have been considered less impressive than his roman typefaces, he was one of the early printers to establish the modern tradition that the italic capitals should slope as the lower case does, rather than remain upright as Roman square capitals do. He also worked as a publisher and bookseller. Garamond's typefaces were popular abroad, and replaced Griffo's original roman type at the Aldine Press in Venice. Garamond worked for a variety of employers on commission, creating punches for publishers and the government. The result is an immensely complicated set of type, including a vast variety of alternate letters and ligatures to simulate the flexibility of handwriting. Garamond based these types on the handwriting of Angelo Vergecio, the King's Librarian at Fontainebleau. Garamond came to prominence around 1540, when three of his Greek typefaces (now called the Grecs du roi (1541)) were requested for a royally-ordered book series by Robert Estienne. ![]() In 1539, when Francis I wanted to create a print shop in Paris to publish greek texts, Garamond was recruited to provide type for the printer Conrad Neobar. In her printshop, he met Jean de Gagny, the French king's Almoner. In 1536-1540, Garamond worked as a typefounder for Charlotte Guillard. He seems to have started his career has a punchcutter in 1535 : his first type can be seen in Lyon in 1535. Garamond may have apprenticed with Antoine Augereau and was perhaps also trained by Simon de Colines. He married twice, to Guillemette Gaultier (probably before 1535) and, after her death, to Ysabeau Le Fevre (in 1545). In favour of a later date, his will of 1561 states that his mother was then still alive and the fact that he have apprenticed with Antoine Augereau, who started his career in 1530. 1510 have been proposed for his birth, the latter being preferred by the French ministry of culture. Garamond's early life has been the subject of some research and considerable uncertainty. Garamond's original punches for the Grecs du roi type, which remain owned by the French government. The result is one of the most sophisticated pieces of printing in the history of metal type, quite unlike Garamond's structured, upright designs in the Latin alphabet. Estienne's 1550 edition of the New Testament was typeset with Garamond's grecs du roi. Early life and background ' Petit texte' type intended for body text, created by Garamond. His career therefore helped to define the future of commercial printing with typefounding as a distinct industry to printing books. Garamond was one of the first independent punchcutters, specialising in type design and punch-cutting as a service to others rather than working in house for a specific printer. Many old-style serif typefaces are collectively known as Garamond, named after the designer. Considered one of the leading type designers of all time, he is recognised to this day for the elegance of his typefaces. He worked in the tradition now called old-style serif design, which produced letters with a relatively organic structure resembling handwriting with a pen but with a slightly more structured and upright design. ![]() Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type. 1510–1561), known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. French publisher and type designer Claude GaramondĬlaude Garamont ( c. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |